About

 

LIZ ASCH Greenhill IS AN ARTIST, writer, & acupuncturist. 

 

Liz was born in North Carolina in 1976. She studied realism with oils at a young age and grew to fall in love with modern art. At Vassar College she created stop-motion 16 mm films, studied poetry, and wrote analytically about contemporary art and conceptual poetry. She apprenticed the bookbinder Claudia Cohen, learned printmaking from Bill Kelly and Michele Burgess of Brighton Press, and worked for Grenfell Press in New York City. Liz was a studio assistant to Barry Moser, Roberta Smith, Carroll Dunham, Joan Grubin, and the late Frank Moore. 

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Liz lives in Portland, Oregon with her son where she works as an acupuncturist under the name Liz Greenhill. She has published under the name Liz Fischer Greenhill, variations on that name, and other pseudonyms.  

Liz also works long distance providing creative support for artists as a consultant and collaborator. 

Her first book, a portfolio of lyric essays and literary investigations into portraiture and expressionism, is complete, and looking for an agent or publisher.

Her publications include The RumpusThe Manifest Station, MUTHA MagazineNailed MagazineThe CollagisttheEEELAtticus Review, BUST Magazine, Perceptions, Oregon East, Gertrude Press, Four and Twenty, The North Coast Squid, the poetry anthology Step Lightly, and The Dream Closet (a collection of writing on childhood spaces from Secretary Press). Her work is forthcoming in Sinister Wisdom and The Untold Gaze, a book of writing paired with the paintings of Stephen O'Donnell.  Liz has exhibited in group art shows including Siren Nation and Reed Off the Clock. Her 16 mm animated short, "The Loveseat," showed in gay and lesbian film festivals across the US and in Canada from 1998-2000. 

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Liz has read at a variety of literary events, including the Dangerous Writers at Burnt Tongue, the Foul Weather Writers, at Words We Love, Grief Writes, Songbook, and Portland at Heart. She has performed storytelling with The Mystery Box and at Tales of Uncertainty. She has taught classes in creativity and embodiment, and offers workshops on literature and visual art, and writing and the body.